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The Alchemist

by Low Tide

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1.
Whisper 03:12
Howl through my walls at night play the curtains wild whip the waves to white sweep the sand for miles and miles What would it feel like to be solid, and touched, and seen? Whisper, wind whisper, wind whisper, wind, to me Where is your breath, my love? Trembling, tender, rough? Filling the space between us? The space, is closing up, closing What would it feel like to be solid, and touched, and seen? Whisper, wind whisper, wind whisper, wind, to me Whisper to me whisper to me
2.
All the precious metals gleaming and sweating in the fire turn into a river turn to suns shining in the night and everything is everything. The Alchemist is patient no element is wasted and sometimes the way things move feels glacial The suns cooled down wrong again, twisted, brittle, and turning in. The river is full of mud again, running sluggish, backwards, and tarnishing. And everything is everything. The Alchemist is patient no element is wasted and sometimes the way things move feels glacial Why can’t you burn any brighter? Look how the sky’s getting lighter can’t you see I’m running out of time The Alchemist is patient no element is wasted and sometimes the way things move feels glacial
3.
Gone, Gone 03:29
The wounded wolf came to my door again, said, can I sleep here tonight said, can I sleep here tonight? Yes, but only sleeping yes, but only sleeping. But he began, and I lost my hands, no, but I remember where to go and I’m gone, gone In the woods, that sweet, black earth sweet, dripping moss, sweet, dripping ferns and musky Sassafras the tender roots reaching back. Wolf poisons the well scrapes mean ditches, all the wrong places salts the fields in the rainswell all the wrong places, strips leaves from their branches. But the Curlews call, oh, lovely birds and I’m gone, gone In the woods, that sweet, black earth sweet, dripping moss, sweet, dripping ferns and musky Sassafras the tender roots reaching back. Said he could sleep said he could sleep gone, gone gone, gone sweet, black earth gone, gone gone, gone gone, gone gone, gone
4.
Willow 03:47
Leave the bread to rise, see what can come with time. Am I done? What can I give? What have I become? Am I adrift? What have we done? Is there sunshine here? Am I solid as a Sycamore, or am I weeping willow bent over? Pour myself into the stream and hope it takes me away. Watch how the moon claims the sky, suns gracefully surrender to night. Put me to earth for safe-keeping, hold the spaces between things, let my bodies become the trees. Am I solid as a Sycamore, or am I weeping willow bent over? Pour myself into the stream and hope it takes me away.
5.
Cradle the flame that’s dancing and leaping from sparks from your fingers. And tend to the fire that burns all your fears from all your darkest corners. I light the flame. It calls you to me, it calls you to me. Who will remember? Who will reach back for me, who will reach back for me? Who fans the flames? Cherish the match that yields to the burning, used up in the lighting. And cherish the flame that flickers so gently for all of its yearning. How long have we burned? My name doesn’t know me, my name doesn’t know me. Who calls my name? You never have owned me; my body is flame. Who fans the flames?
6.
Go Down 03:26
I grasp steadfast, iron core, forged under fire, pressure, war. Go down, go down. I know moving mantle, flowing ore, Beneath the bedrock, moving shores. Go down, go down. But can you show me how to form, somehow, above, that fragile crust? Can you show me how to bloom?
7.
Little shoot, I see you growing Little shoot, I see you growing Oh, you better hurry Oh, you better hurry, hurry Oh, the floods are coming Oh, the fire is coming, coming Little heart, why don’t you come in? Little heart, why don’t you come in? Oh, there’s no use in running Oh, there’s no use in running, running Oh, the floods are coming Oh, the fire is coming, coming Still, I plant the seeds to come, still work the magic of the sun, cry the marching, beg the birthing of Still, I sing the songs I learned, still count the turnings of the earth’s unstill home. Oh, the floods are coming Oh, the fire is coming, coming
8.
I’m looking for the right balance, the right star, the right bloom the right root, the right music. I come to the searching like a supplicant. I’ll take whatever beauty I can get. Kneel to the stones and the sea, be the gale, be the heat, be the shape you make of me. Have I become the silence? The still lake, the smooth slate, the storm’s break? Am I too late? I come to the searching like a supplicant. I’ll take whatever beauty I can get. Kneel to the stones and the sea, be the gale, be the heat, be the shape you make of me. Blood to the river, breath to the sky, muscle to mud, and hands to the fire I come to the searching like a supplicant. I’ll take whatever beauty I can get. Kneel to the stones and the sea, be the gale, be the heat, be the shape you make of me.
9.
Ocean Calls 03:49
Here, your body is held up, flooding the chambers of grief. Sing to me of the deltas, stream to river to sea. Ocean calls tonight, makes a music of the tide. Ocean calls tonight, calms a hunger inside. Make me of the submerging, held, weightless, free. Make me of the emerging, glistening, open, clean. Ocean calls tonight, makes a music of the tide. Ocean calls tonight, calms a hunger inside.
10.
Maps 03:43
Mix the stones and stars together. Add the wind coming off the river. And can you let the light in? Can you let the light in? Make a map out of your scars, all the broken things healed different now. Lay a path and take a step, holding all the things that aren’t broken yet. You dissolve; the sky is silent. You’ll have to readjust the balance. Can you believe how alive we are? Can you believe how alive we are? Make a map out of your scars, all the broken things healed different now. Lay a path and take a step, holding all the things that haven’t broken yet.

credits

released October 25, 2019

Eli Oberman - violin, vocals
Courtney Robbins - guitar
Fen Ikner - drums/bass/keys

Cover image by Trudie Kaiser trudiekaiser.com
Design by Kristen Kendrick @kristen_kendrick

Recorded by Maia MacDonald @ 411
Mixed and mastered by Fen Ikner www.fenikner.com

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Low Tide New York

"Sacred and modern, Baroque and contemporary folk ... [A] pastoral patina of wanderlust violins, mandolin, and chilling vocals." - Atwood Magazine

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